Movies

[ad_1] [With a D.I.Y. sound] there wasn’t a lot of, “Oh, I’ve got to master my instrument and I’ve got

[ad_1] A.O. Scott, our critic at large, is keeping a diary as he “attends” the virtual Sundance Film Festival, which

[ad_1] How odd to celebrate someone for not being who we’ve been programmed to expect. But American entertainment worked hard

[ad_1] The groundbreaking show that helped launch a mini-series craze, “Roots,” based on the novel by Alex Haley, is one

[ad_1] A.O. Scott, our critic at large, is keeping a diary as he “attends” the virtual Sundance Film Festival, which

[ad_1] Attending the Sundance Film Festival has never been an easy thing to do. Passes are pricey, accommodations are even

[ad_1] “It’s simple,” she said. “I try always to be true to myself. I learned from my mom: ‘Don’t lie

[ad_1] What else is new this season? More female directors, including the filmmakers Julia Ducournau (“Raw”) and Isabella Eklöf (“Holiday”),

[ad_1] Shortly after Donald J. Trump’s inauguration in January 2017, Tabitha Jackson, then the director of the Sundance Institute’s Documentary

[ad_1] Just like you, film critics, reporters and editors at The New York Times have opinions about the Oscars and

[ad_1] Lawyers for Ms. Huett, a model, actress and gender equality activist, and a handful of other women who voted

[ad_1] I don’t mean to revisit stale arguments about the aesthetic merits of television, to pine for the lost pleasures

[ad_1] When the Academy of Motion Picture Arts and Sciences announced the two-month postponement of the 2021 Oscars because of

[ad_1] A folk tale turns existential in “You Will Die at Twenty,” the rapturous debut feature by the Sudanese filmmaker

[ad_1] The Oscars will be adopting new diversity guidelines soon, but the Independent Spirit Awards are already walking that talk.

[ad_1] Conventional cinematic dystopian futures almost always compensate for their bleakness with nifty gadgets or, at the very least, incredibly

[ad_1] As we settle in for a few more months of homebound entertainment, you may find those once-abundant watch lists

[ad_1] When the writer and director Mike Nichols was young, he had an allergic reaction to a whooping cough vaccine.

[ad_1] “Spoor,” directed by the Polish filmmaker Agnieszka Holland and her daughter, Kasia Adamik, went nearly four years without an

[ad_1] The drama “Identifying Features” begins with a figure approaching from across a field, his appearance obscured by a heavy